Turning Photos Into Art

Photoart by Zes

 

 

 

Register

 

CLUB CARDS

Click Here

 

 

 

 

Learn to Capture Art Through Photography

Lessons by Zes

 

>
body glamour photography, glamour shots, glamour photography, black and white photography, boudoir photography, glamour portfolios, glamour photos, boudoir photos, digital photography, boudoir portraits, pet portraits, family portrait, glamour, black and white, boudoir, photoart, photoartbyzes, photo art by zes, photoart by zes
 

Home > Lessons > Lesson 1

 

Photo Manipulation

 
This is the first in a series of lessons designed to show you some ways we turn pictures into "photoart."  It is not meant to turn you from a picture-taker to a photographer, but it will help you create more alluring photos.

Get on our Lesson Subscription List.  Order monthly photo lessons.  Only $5/month.  CLICK HERE

 

 

 
 
Lesson 1 - Photo Manipulation
 
How many times have you taken a shot, and after looking at it, thought, "if only there was more light..."  or "if only that <fill in the blank> wasn't in the picture."

Well, let's show you what can be done with the right kind of photo manipulation software.

First of all, you don't need the most expensive software to make the changes I'm going to show you.  For my work, I generally use Adobe® Photoshop®, but I also use Microsoft PhotoDraw (no longer sold) and MGI PhotoSuite.  I think PhotoDraw has better "charcoal" capabilities, and PhotoSuite offers better oil paint capabilities than Photoshop.  Heck, I'll use whatever it takes to find the right enhancement.  You can too - but you have to be patient, and experiment.  A lot.

When I create my photoart, I usually use more than one of the software packages listed above, for a single piece of art.  Also, I use layers like crazy, among many other options offered through Photoshop.  More on layers and these options in later lessons.  For now, well show you a very basic manipulation of a pic.

Picture 1 - before manipulationI took this pic of my favorite model outside at night.  She was sitting against the outside of our weekend retreat at Live Oak Resort.  To me, it looks like a pic that I'd see on many online couples websites.  Nothing special with respect to the quality of the pic, except perhaps to the model and photographer (let me rephrase - she's ALWAYS special to me, just that the quality of the photo isn't compelling). 

Let's see how we can make this a little more compelling for other viewers.

 

 
Before I started changing this pic, I thought high-level, what I'd like to see.  I felt that it would be a bit more compelling if there was greater contrast between the subject and everything else in the pic.  Also, I felt the background lessened the value of the overall image.

So first, I figured that if I darkened the image, some of the background would be less pronounced.  (I could have blurred the background instead of darkening it - but we'll cover blurring in another lesson.)

Here's the pic after the first step - darkening the background.  It doesn't do the trick completely for me, so I continued to modify the image.

 
The next step was for me to add contrast.  This will boost the lighter areas, and actually darken the darker areas.  I didn't go to extremes when I added the contrast - just enough to make the subject "pop" out a bit more.

You can see that the background is getting darker - and the colors of my subject are becoming more pronounced.  If I added even more contrast, there would actually be fewer and fewer colors as the contrast was boosted.  I didn't want to do that - just enough contrast to pop the image out.

 
Sure enough, the background was disappearing, but it was still taking away from the overall quality.

I decided to "paint" the background away.  So very carefully, with the paintbrush option in Photoshop, I selected the color of the paint to be equal to the area around my model's hair.  The brush size was just large enough to make painting easy, but no so large that I'd accidentally paint something I wanted to preserve.

In this image, you can see how I have begun painting on the left side of the image.  When I got close to her body, I reduced the size of the paintbrush, again so I wouldn't paint over something I wanted to preserve in the final image.

 
After I completed painting the background, I figured it would also be good to crop the image just a bit.  My camera's default photo size is 8x12, and since I'm usually framing shots in 8x10 mode, I knew that some of the top and bottom of the pic would need to disappear.  Once I cropped it, I boosted the contrast just a tad more to make the image even more striking.  Here's what it looks like with the background painted and cropped to 8x10.

This image is "good to go."  But then I though about making it more "artsy" and square, instead of rectangular to fit into a special frame of mine.

 

 
Depending on the photo, I crop from the top, bottom, or both to get to the size I'd like to use.  Sometimes, I add to it (say to make it a 10x10 from an 8x10).  I can't do this on every shot, but with a flat background, it's pretty easy - just know that you must be very patient, as you're blending the added area into your original photo.  If I wanted to add more of a side to this image, here's how the "process" would look.

In this image, I've extended the sides 1" - but  they're white, and don't match the rest of the photo.

 
So I copied/pasted an inch from each side of the photo to start my blending process.  In this image, I've taken the left side of the photo and copied/pasted it. 
 
I then did the same with the right side.  Looks like there's lots of work to do! 

 

 
I then took my "clone" tool in Photoshop, and as with the paint tool, I selected the right size (and in this case, I varied the opacity depending on what I'm cloning) to begin blending. I continued my cloning and blending process until all the seams and unwanted images disappeared.  Depending on the opacity of the cloning tool, the clone can be exact, or blurred.  I started the blur process in this image to get more of a surreal image.
 
Here's the finished "blurred" cloning.  It makes it look a little like she's surrounded by fog.  But again, it's not the finished product I was looking for.  I decided to go for the "charcoal" look.  I have some clients who wanted shots like this, where they've placed the finished product above their fireplace - the charcoal (or other enhancement) makes the photo look like artwork that anyone can view, but only the client knows who is really in that photo!  Kind of like "exhibitionism lite."
 
I went into PhotoDraw to use the "charcoal default" tool.  As a default, only 97% of the image is covered, but for this I boosted the coverage to 100%.  The quick snap of the camera for a "picture" has now become photoart.

Also, I enlarged the brush size to make the model less identifiable.  This way, should she desire, she can show friends and family, it's a little closer to a "PG-rated" image, and they'll never know it's she who posed!

 

Let me know your thoughts.

If you have a moment, please fill out the comment form to tell me if this lesson was helpful.  We'd also like to know what future lessons you'd like.

Thanks!!!
 -Zes.

How helpful was this lesson?  
   
What other lessons would you like to see?

   
Comments
   
Email address

Thanks so much for taking the time to complete this form!

 

 

 

body glamour photography, glamour shots, glamour photography, black and white photography, boudoir photography, glamour portfolios, glamour photos, boudoir photos, digital photography, boudoir portraits, pet portraits, family portrait, glamour, black and white, boudoir, photoart, photoartbyzes, photo art by zes, photoart by zes

 
 

View Terms, Conditions and Disclaimers, and Privacy Statement. Users of this site and Services offered by Photoart by Zes agree to be bound by the terms of the Photoart by Zes Site Rules and Regulations. © Photoart by Zes. A Janastar Marketing Group Company. All Rights Reserved.